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Contemporary Perspectives on Vladimir Jankélévitch

On What Cannot Be Touched
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Contemporary Perspectives on Vladimir Jankelevitch: On What Cannot Be Touched performs a cross-disciplinary theoretical analysis of the philosophy of Vladimir Jankelevitch. An international group of contributors, including both established and emerging scholars, engage with his writings from diverse disciplinary angles and consider his importance for contemporary political and cultural contexts. Edited by Marguerite La Caze and Magdalena Zolkos, the collection provides a holistic and multi-perspectival approach to Jankelevitch's writings, one that illuminates nuanced and complex connections across the five sub-fields of philosophy to which Jankelevitch contributed: moral philosophy, virtue theory, metaphysics, philosophy of music, and philosophy of religion. The book addresses different aspects of and problems in Jankelevitch's philosophy, with all chapters unified by a preoccupation with the motif of intangibility-that which cannot be touched.
Introduction, Marguerite La Caze and Magdalena Zolkos Chapter 1. Giulia Maniezzi, The Metaphysics of Love and Theory of Forgiveness in Vladimir Jankelevitch's Philosophy Chapter 2. Jose Manuel Beato, Paradoxes of Virtue in the Moral Philosophy of Vladimir Jankelevitch Chapter 3. Marguerite La Caze, "I Can't Beat It": Dimensions of the Bad Conscience in Manchester by the Sea Chapter 4. Tim Flanagan, An Enduring Audience: Jankelevitch and Plotinus Chapter 5: Aaron T. Looney, Speaking in the Night: On the Non-Sense of Death... and Life Chapter 6. Francesco Ferrari, Vladimir Jankelevitch's 'Diseases of Temporality' and Their Impact on Reconciliatory Processes Chapter 7. Andrew Kelley, Jankelevitch and the Metaphysics of Humility Chapter 8. Magdalena Zolkos, The Work of Remorse. Jankelevitchean Tropes in Francois Ozon's Frantz Chapter 9. Clovis Salgado Gontijo, The Philosophy of the je-ne-sais-quoi and the Possibility of a Non-religious Spirituality Chapter 10. Paul Atkinson, Vladimir Jankelevitch, Henri Bergson and the Emergence of a Transitory Aesthetics
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