Written by a lover of Florence, The Heart of the Renaissance describes the Christian traditions and legends, as well as the Greek myths, shown in the great works of art and architecture of the Italian Renaissance. Exploring the historical contexts of the stories of local saints and miraculous works of art, as well as describing the lives of the ......
This intriguing book investigates the very rare discovery of a huge, lost, Last Supper painting produced in the workshop of Tiziano Vecellio, known as Titian. The discoloured canvas hung neglected in a parish church for 110 years until the conservator and art historian Ronald Moore removed centuries of discoloured varnish and began to appreciate ......
The nineteenth century saw the emergence of more professional women artists than ever before. But they still faced the age-old presumption: that a womans role in life was to marry and have children.
In an art world that has lost itself to gimmickry and the distortions and hallucinations of Capitalism on crack, here is an artist who values depth and integrity, and is patiently and powerfully reminding us of what art is and can be.
The book depicts the abandoned and crumbling Prime Minister's mansion in Beirut and the lives connected to it and interwoven into its fabric for over a century. The photographs of the rich and famous at the house in its heyday at its opulent best, contrast with those showing it as it is now. Accompanying essays unravel the intriguing stories ......
Forty famous paintings are given the Mychael Barratt treatment - by imposing a canine or feline feel into the artwork. A clever, and sometimes ironic, take on the world's most iconic images.
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the ......
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the ......