The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.
Introduction to Afrofuturism 2.0 Reynaldo Anderson and Charles E. Jones Part I: Quantum Visions of Futuristic Blackness Chapter One: Reading Wangechi Mutu's Non je ne regrette rien through Kindred Tiffany Barber Chapter Two: Afrofuturism on Web 3.0: Vernacular Cartography and Augmented Space Nettrice Gaskins Chapter Three: The Real Ghost in the Machine: Afrofuturism and the haunting of racial space in I Robot and DETROPIA Ricardo Guthrie Part II: Planetary Vibes, Digital Ciphers, and Hip Hop Sonic Remix Chapter Four: The Armageddon Effect n++ and Other Afrofuturist Chronopolitics of Alien Nation tobias C. van Veen Chapter Five: Afrofuturism's Musical Princess Janelle Monn++e: Psychadelic Soul Message Music Infused with a Sci-Fi Twist Grace D. Gipson Chapter Six: Hip Hop Holograms: Tupac Shakur, Technological Immortality and Time Travel Ken McCleod Part III: Forecasting Dark Bodies, Africology, and the Narrative Imagination Chapter Seven: Afrofuturism and Religion: Our Old Ship of Zion Andrew Rollins Chapter Eight: Playing a Minority Forecaster in Search of Afrofuturism: Where Am I in this Future, Stewart Brand? Lonny Avi Brooks Chapter Nine: Rewriting the Narrative: Communicology and the Speculative Discourse of Afrofuturism David DeIuliis and Jeff Lohr Chapter Ten: Africana Women's Science Fiction and Narrative Medicine: Difference, Ethics and Empathy Esther Jones Chapter Eleven: ""To be African is to Merge Technology and Magic"": An Interview with Nnedi Okorafor Quianna Whitted About the Contributors
Introduction to Afrofuturism 2.0 Reynaldo Anderson and Charles E. Jones Part I: Quantum Visions of Futuristic Blackness Chapter One: Reading Wangechi Mutu's Non je ne regrette rien through Kindred Tiffany Barber Chapter Two: Afrofuturism on Web 3.0: Vernacular Cartography and Augmented Space Nettrice Gaskins Chapter Three: The Real Ghost in the Machine: Afrofuturism and the haunting of racial space in I Robot and DETROPIA Ricardo Guthrie Part II: Planetary Vibes, Digital Ciphers, and Hip Hop Sonic Remix Chapter Four: The Armageddon Effect - and Other Afrofuturist Chronopolitics of Alien Nation tobias C. van Veen Chapter Five: Afrofuturism's Musical Princess Janelle Monae: Psychadelic Soul Message Music Infused with a Sci-Fi Twist Grace D. Gipson Chapter Six: Hip Hop Holograms: Tupac Shakur, Technological Immortality and Time Travel Ken McCleod Part III: Forecasting Dark Bodies, Africology, and the Narrative Imagination Chapter Seven: Afrofuturism and Religion: Our Old Ship of Zion Andrew Rollins Chapter Eight: Playing a Minority Forecaster in Search of Afrofuturism: Where Am I in this Future, Stewart Brand? Lonny Avi Brooks Chapter Nine: Rewriting the Narrative: Communicology and the Speculative Discourse of Afrofuturism David DeIuliis and Jeff Lohr Chapter Ten: Africana Women's Science Fiction and Narrative Medicine: Difference, Ethics and Empathy Esther Jones Chapter Eleven: "To be African is to Merge Technology and Magic": An Interview with Nnedi Okorafor Quianna Whitted About the Contributors
