Despite the denigrating revelations of his published letters, Philip Larkin looms larger than ever, both as an English national icon and as a championed voice of postwar English poetry. Philip Larkin, Popular Culture, and the English Individual seeks to move beyond the decades-long preoccupation with Larkin's reputation and canonical status, approaching Larkin instead as part of a persevering cultural phenomenon through which the traditionally distinguished individual is reconstituted in the company of the ordinary and the interchangeable. It tracks how Larkin's poetic texts negotiate and engage with representations of popular culture at a time when notions of celebrity, authenticity, and cultural authority were newly (and deeply) unsettled by rock and roll, and when cultural capital had become a coveted substitute for diminished imperial wealth. From his unprecedented f-bombs to his cultivation of a familiar, comedic personality, this book examines how Larkin realigns common social practices and popular art forms--be it attending a church service, watching television, or enjoying a concert--to the isolated, knowing gaze of the individual.
J. Ryan Hibbett is assistant professor of English at Northern Illinois University.
In Philip Larkin, Popular Culture and the English Individual, J. Ryan Hibbett carefully juxtaposes the poetry with various biographical narratives of Philip Larkin, contextualised as a writer and cultural figure within twentieth century England, with a legacy extending into the contemporary period. Overall, provides us with a detailed and interesting tour through concepts and contexts of modern England. The book brings together some existing strands of the Larkin narrative and Hibbett's fresh and insightful analysis, as well as numerous original and engaging analyses of the poetry, the poet and his public and private personae.--About Larkin This book should appeal to a wide range of readers. Written in a clear, often clever, and always accessible style, it will obviously be of great interest both to academic and non-academic readers of Larkin, who is indeed, as the author claims, that rare poet who manages to be both popular with 'regular readers' and respected by 'intellectuals.' But the book should also interest readers pursuing larger game than Larkin alone, including those intrigued by issues of canonization, those fascinated by debates in literary theory, and those concerned with the whole matter of the divide--and the intersections--between 'high' and 'popular' culture and the impact of broader cultural forces on both.--Robert C. Evans, Auburn University at Montgomery
