Love, Language, Place, and Identity in Popular Culture: Romancing the Other explores the varied representations of Otherness in romance novels and other fiction with strong romantic plots. Contributors' approaches range from sociolinguistics to cultural studies, and the texts analyzed are set on four continents, with particular emphasis on Caribbean and Atlantic islands. What all the essays have in common is the exploration of representations of the Other, be it in an inter-racial or inter-cultural relationship. Chapters are divided into two parts; the first examines place, travel, history, and language in 20th-century texts; while the second explores tensions and transformations in the depiction of Otherness, mainly in texts published in the early 21st century. This book reveals that even at the end of the 20th century, these texts display neocolonialist attitudes towards the Other. While more recent texts show noticeable changes in attitudes, these changes can often fall short, as stereotypes and prejudices are often still present, just below the surface, in popular novels. The understudied field of popular romance, in which the Other is frequently present as a love interest, proves to be a fruitful area in which to explore the potential and the realities of the treatment of Otherness in popular culture. Scholars of literature, communication, romance, and rhetoric will find this book particularly useful.
Maria Ramos-Garcia is professor of Spanish at South Dakota State University. Laura Vivanco holds a PhD from the University of St. Andrews.
Preface Introduction: Maria Ramos-Garcia and Laura Vivanco Part I: Place, Travel, History and Language Chapter 1: Britannia's Daughters: Popular Romance Fiction and the Ideology of National Superiority (1950s-1970s) Maria del Mar Perez-Gil Chapter 2: 'And they Drive on the Wrong Side of the Road': The Anglo-centric Vision of the Canary Islands in Mills & Boon Romance Novels (1955-1987) Maria Jesus Vera-Cazorla Chapter 3: Cross-Cultural Romance and the Shadow of the Sheikh Maureen Mulligan Chapter 4: Othering and Language: Bilingual Romances in the Canary Islands Maria Isabel Gonzalez-Cruz Chapter 5:Language Awareness in Four Romances Set on the Island of Madeira Aline Bazenga Chapter 6: Archipelagoes of Romance: Decapitalized Otherness in Caribbean Trash Fiction Ramon Soto-Crespo Part II: Tensions and Transformations Chapter 7: Public Conflicts and Private Treaties in Kathleen Eagle's Native American Themed Romance Fiction Johanna Hoorenman Chapter 8: Changing Attitudes to Others: Meljean Brook's Riveted (2012) and its Context Laura Vivanco Chapter 9: Representations of Otherness in Paranormal Romance: Race and Wealth in Nalini Singh and J.R. Ward" Maria Ramos-Garcia Chapter 10: 'There's Something Charming about a Man with an Accent, Isn't There?' The Representation of Otherness in Three Novels by Lisa Kleypas" Inmaculada Perez-Casal
Ramos-Garcia and Vivanco's collection investigates and challenges problematic, imperialist representations of non-Anglo Others in romance novels. Originating as papers presented at the First International Seminar on Languages and Cultures in Contact in the Romance Novel (Univ. of Las Palmas de Gran Canaria, 2017), the essays are divided into two parts: "Place, Travel, History and Language" looks at romance fiction before 1990, "Tensions and Transformations" at romance fiction after 1990. The essays in part 1 demonstrate how romance fiction promotes cultural and national supremacy; the ways whiteness serves as the implied standard for beauty, desirability, and relationships; and stereotypical and faulty attempts at portraying diverse, accurate, and sensitive characters and story lines. Those in part 2 consider who has access to publish romance novels, explore new and promising subgenres of romance (e.g., steampunk, paranormal), describe what might sufficiently constitute nuanced representations of difference, and assess whether there can ever be sensitive and politically neutral representations of romance. An important book for anyone interested in textual criticism, romance, and the significance of popular media. Summing Up: Recommended. Graduate students, researchers, faculty. * Choice * An insightful and important intervention into discussions of diverse forms of Othering in romance novels. Essential reading for those interested in the formation and unraveling of racial, ethnic, class, and national identities in popular fiction, from the historical to the paranormal. -- Hsu-Ming Teo, Macquarie University An engaging collection of essays that approach popular romance fiction from varied angles, such as linguistics and cultural studies, to examine constructions of Otherness in the genre.. A timely and much needed contribution to the field, particularly the chapters that include close readings of specific texts, including the often-overlooked category romances (Harlequin Mills and Boon). -- Jayashree Kamble, LaGuardia Community College CUNY
