Founder of the detective genre and author of works on cryptography, Edgar Allan Poe possessed what Shawn Rosenheim called a "cryptographic imagination." Not only was Poe's work influenced by secret writing, it inspired future critics to search his texts for secret clues and that fostered new modes of reading. Poe's acclaimed complexity owes as much to a long and sophisticated tradition of his interpretative reading as it does to the "undercurrent of meaning" ciphered in his texts. Grounded in previous scholarly work, Deciphering Poe: Contexts, Subtexts, Subversive Meanings explores the hoaxing and subversive nature of Poe's art and expands this contextual framework. Contributors to the volume offer a highly nuanced picture of Poe's engagement in the major discourses of the time-religious, philosophical, social, and literary. Twelve essays of the collection discuss Poe's debt to baroque tradition, his response to Catholicism, his tribute to philosophical idea of sublimity, his complex response to racial issues, and his controversial afterlife reception. The volume includes new readings of Poe's texts explicitly using codes, secret writing or techniques of detection-"The Gold Bug," The Narrative of Arthur Gordon Pym, and the Dupin tales. The essays in the collection were originally presented as talks at the Poe Studies Association's Third International Edgar Allan Poe Conference: The Bicentennial in October 2009. The contributors are Poe scholars from the United States, France, Germany, and Canada: Amy C. Branam, Lauren Curtright, Daniel Fineman, William E. Engel, John C. Havard, Henri Justin, John Edward Martin, Sean Moreland, Philip E. Phillips, Stephanie Sommerfeld, and Timothy N. Towslee.
Alexandra Urakova works as a senior researcher at the Gorky Institute of World Literature of the Russian Academy of Sciences and she is associate professor at the Russian State University for the Humanities, Russia, Moscow. She is the author of The Poetics of the Body in the Short Fiction of Edgar Allan Poe (2009, in Russian).
Acknowledgments List of illustrations Introduction Chapter 1: Poe's Resonance with Francis Quarles: Emblems, Melancholy, and the Art of Memory William E. Engel Chapter 2: "A Snare in Every Human Path": "Tamerlane" and the Paternal Scapegoat John Edward Martin Chapter 3: Mother Goddess Manifestations in Poe's "Catholic Hymn" and "Morella" Amy Branam Chapter 4: Poe's 1845 Boston Lyceum Appearance Reconsidered Philip Edward Phillips Chapter 5: "Torture[d] into aught of the Sublime:" Poe's Fall of the House of Burke, Ussher and Kant. Sean Moreland Chapter 6: Poe and Perversity Daniel Fineman Chapter 7: From the Romantic to the Textual Sublime: Poesque Sublimities, Romantic Irony, and Deconstruction Stephanie Sommerfeld Chapter 8: The Armchair Flaneur Tim Towslee Chapter 9: No Kidding; "The Gold-Bug" is True to its Title Henri Justin Chapter 10: "Trust to the shrewdness and common sense of the public": The Narrative of Arthur Gordon Pym as a Hoaxical Satire of Racist Epistemologies John C. Havard Chapter 11: Moving Daguerreotypes and Myths of Reproduction: Poe's Body Lauren Curtright Index About the Contributors
