Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the "Birds Aren't Real" movement.
Danette DiMarco is professor of English at Slippery Rock University. Timothy Ruppert is assistant professor of English at Slippery Rock University.
Introduction: The Continuous Line Between Birds and Humans in Animal Studies Today Danette DiMarco and Timothy Ruppert SECTION 1 - The Avian-ness of Aesthetics Chapter 1: Birdwatching and Wordwatching: The Avian Aesthetics of Virginia Woolf's Mrs Dalloway Jemma Deer Chapter 2 Birds as Character, Motif, Allusion, and Symbol in Meir Shalev's A Pigeon and a Boy Laura Major Chapter 3: "With An Aviary Inside Its Head": Surrealist Sensibilities and Avian Ontologies in the Work of J. G. Ballard and Ted Hughes Declan Lloyd Chapter 4: The Optimism of Flight: Magical Realism in Little Nemo in Slumberland Mark O'Connor SECTION 2 - Writing About/Like Birds Chapter 5: The Fate of Birds in Anatole France's Penguin Island Timothy Ruppert Chapter 6: Of Curlews and Crows: Representations of Avian Cognition in North American Animal Stories Jennifer Schell Chapter 7: What is it like to write (like) a bird?: Rethinking Literary Practice to Support Avian Subjectivity Joshua Lobb Chapter 8: Margaret Atwood's Bird Narratives Danette DiMarco SECTION 3 - Entangled Worlds Chapter 9: The Peregrine: At the Intersection of Ecocriticism and New Nature Writing Debarati Bandyopadhyay Chapter 10: Helen Macdonald, T. H. White, and Hawks: H is [also] for History Louis J. Boyle Chapter 11: Across So Wide a Sea: Humans, Seabirds, and the Kinship of Mortality Keri Stevenson Chapter 12: Collisions in Contemporary American Poetry Calista McRae SECTION 4 - Consumers Consuming Birds Chapter 13: "Their Little Brethren of the Air": Rhetoric of Youth Birding in the United States, 1890s-Present Laura McGrath Chapter 14: Birds Aren't Real: Narrative and Aesthetic Irony in For-Profit Conspiracy Lauren Shoemaker Chapter 15: Laying Eggs: Ludothematic Resonance and the Birds of Wingspan Christopher Moore
"These essays constitute an intense and fascinating study of the strangeness of birds and the variety of ways writers and other cultural creators try to comprehend and represent them. This book provides enlightening considerations of what birds do for us culturally-from powering flights of imagination to providing the most accessible entrance to the natural world-and what we do to birds as we mistakenly humanize them and directly or indirectly destroy them." -- Sayre Greenfield, University of Pittsburgh at Greensburg "Avian Aesthetics offers a valuable contribution to animal studies and the environmental humanities, exploring the 'multispecies entanglements' of people and birds in literature, art and media from a variety of productive angles. The writers collectively make a potent case for the need to think more deeply and broadly about the relations between the human and avian imaginary." -- Alex Wetmore, University of the Fraser Valley and author of Men of Feeling in Eighteenth-Century Literature "Avian Aesthetics is a careful compilation that is informed by a nuanced understanding of environmental studies, and the particularities of avian studies within. DiMarco and Ruppert establish a firm theoretical framework for avian study while at the same time creating space for a variety of disciplinary approaches. Through incisive and unapologetically tender engagement with avian aesthetics, the collection beautifully expands the scope of what is traditionally imagined as 'environmental texts' to undergird the often neglected reality that humans are always at once a part of nonhuman nature, with avian life offering us both a literal and figurative reminder of how fleeting this mutuality can seem in a modern and industrialized world. Traversing genre, ocean, and critical lens, the collection successfully enacts the very principle of entanglement that it seeks to articulate." -- Christine Cusick, Seton Hill University Avian aestheticsis an important contribution to the field of ecocriticism, bridging academia and environmentalism, fostering transdisciplinary scholarship, placing birds at the center where they belong rather than the periphery they have sometimes been consigned to. It offers a wealth of perspectives that will be of interest to anyone concerned with representations of birds and human-bird relations in literature. * Journal of Ecohumanism *
