In Wingless Desire in Modernist Russia, Yelena Zotova argues that the Russian Modernist prose of the 1920s underwent a peculiar transformation due to a series of radical shifts in societal values, with each subsequent change thwarting Russia's volatile axiological hierarchy. While the New Economic Policy of 1921 provided economic relief for some, it was an ideological rollback for others. Industriousness and love of technique and technology, typically associated with Pushkin's Salieri, became virtues, while the intrinsic value of God-given talent and non-utilitarian art were officially nullified by the Bolshevik state. Under these conditions, a new literary type emerged and envy, described as "wingless desire" by Russia's chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin's "Author and Hero in the Aesthetic Activity" (1923), Zotova proposes that Salieri's envy could be the wingless embryo of the Bakhtinian authorship.
Dr. Yelena Zotova is associate teaching professor at The Pennsylvania State University.
Table of Contents A Note on Translation and Transliteration Acknowledgments List of Abbreviations Introduction: The Hermeneutic Challenge of Envy Chapter 1: When Author Envies Hero Chapter 2: Wingless Desire: Mozart and Salieri as Author and Hero Chapter 3: A Purgatory for the Hero: Iurii Olesha's Envy Chapter 4: The Author in Hades: Konstantin Vaginov Chapter 5: The Surplus of Vision in the Works of Alexander Grin Afterword: Envy, Conscience, and Taste Bibliography About the Author
Tracing envy as an archetypal motif in nineteenth- through twentieth-century Russian fiction, Yelena Zotova juxtaposes diverse literary and philosophical approaches--namely, Rene Girard's notion of the novel as modeling and overcoming mimetic desire and Bakhtin's personalist claim that creative answerability affirms the 'I' by addressing the Other as subject, not an object of desire. Likewise, Zotova unexpectedly synthesizes Russian personalism with the neo-Kantian philosophical school. Envy as a literary motif helps the reader overcome its curse haunting us in real life. Zotova fully reveals fiction's power to attain this catharsis.--Olga Meerson, Georgetown University A timely, well-researched, and thought-provoking work on an understudied topic, Wingless Desire weaves together psychology and literary theory to analyze the theme of envy in Russian literature. Combining a broad scope with nuanced close readings of key texts, this book traces a line from Pushkin's nineteenth-century classic, Mozart and Salieri, to the twenty-first-century events in the Crimea. Literary scholars will find the readings of the texts illuminating, while scholars of Russian culture and politics will find the connections drawn between literature and life eye-opening.--Elena Pedigo Clark, Wake Forest University
