info@woodslane.com.au
Contact us on (02) 8445 2300
For all customer service and order enquiries

WOODSLANE

Popular Subjects

Woodslane Online Catalogues

9781793649249 Add to Cart Academic Inspection Copy

Instructional Cinema and African Audiences in Colonial Kenya, 1926-1963

Description
Author
Biography
Table of
Contents
Google
Preview
In Instructional Cinema and African Audiences in Colonial Kenya, 1926-1963, the author argues against the colonial logic instigating that films made for African audiences in Kenya influenced them to embrace certain elements of western civilization but Africans had nothing to offer in return. The author frames this logic as unidirectional approach purporting that Africans were passive recipients of colonial programs. Contrary to this understanding, the author insists that African viewers were active participants in the discourse of cinema in Kenya. Employing unorthodox means to protest mediocre films devoid of basic elements of film production, African spectators forced the colonial government to reconsider the way it produced films. The author frames the reconsideration as bidirectional approach. Instructional cinema first emerged as a tool to "educate" and "modernize" Africans, but it transformed into a contestable space of cultural and political power, a space that both sides appropriated to negotiate power and actualize their abstract ideas.
Samson Kaunga Ndanyi is assistant professor of African history and Africana studies at Rhodes College, Memphis, Tennessee.
Introduction Chapter One: Making Instructional Cinema: Historical Overview Chapter Two: Mobile Cinema Vans and African Assistants Chapter Three: "A Problem of Something Like Chicago Gangsterdom": Mau Mau War and Instructional Cinema Chapter Four: Child Spectators and Cinema Spaces as Zones of Encounter and Contested Political and Cultural Power Chapter Five: "They Found Our Pictures Inferior in Quality": Africans' Reaction to Instructional Cinema Conclusion Bibliography About the Author
Google Preview content