Contact us on (02) 8445 2300
For all customer service and order enquiries

Woodslane Online Catalogues

9781849053068 Add to Cart Academic Inspection Copy

Music and the Social Model: An Occupational Therapist's Approach to Musi

c with People Who Have Been Labelled as Having Learning Disabilities
Description
Table of
Contents
Reviews
Google
Preview
Music has always been an essential part of what it is to be human and yet not everyone has access to the music-based opportunities others take for granted. Motivated by the belief that individuals are disabled by society rather than any impairment they might have, Jane Williams sets out to show how someone with learning difficulties can engage with music in as many diverse and fulfilling ways as the rest of their community and generation.This practical guide will equip you with everything you need to know to help empower people with learning difficulties to experience and enjoy music, meaningfully. It sets out activity ideas in the context of existing Occupational Therapy models and offers a host of tips, resources and ready-to-use themed lesson plans to inspire and enrich your practice. There are also many practical examples and real-life success stories that show how to put the theory into practice, including downloadable tracks composed and performed by The LA Buskers, a band Jane works with.Accessible, practical and inspirational, the unique approaches described in this book will be of immeasurable interest to occupational therapists, social care workers responsible for planning and delivering activity programmes as well as community musicians.
Preface. Introduction: How to Use This Book. Part 1: Theory. 1. What is Music?: An Overview of the Elements of Music. 2. Why Music?: The Relationship Between Music and Human Occupation. 3. Music and The Social Model of Disability. Rachel Purtell. 4. Music and Occupational Therapy. 5. The Occupational Therapy Tool Kit: Paradigms, Frames of Reference and Models of Practice. 6. A Social Model OT Process. 7. Creating an Enabling Environment. Part 2: Practice. 8. Enabling Participation in Music: Activity Analysis and Planning Using an OT Tool Kit. 9. Journeys: Applying a Social Model OT Process. 10. An Introduction to Music Group Sessions. 11. Large Music Group Session Plans. 12. Small Group and One to One Sessions. 13. Reflection. Appendices. References. Further Reading. Index.
'Music is said to be a universal language. But, beyond the confines of “music therapy, disabled people, and particularly those labelled “with learning difficulties, encounter a whole range of barriers when accessing mainstream musical activities. Music and the Social Model provides an innovative and much needed analysis of these issues and how they might be overcome. It is essential reading for everyone working in the disability and related fields and comes highly recommended.' - Professor Colin Barnes, Centre for Disability Studies, School of Sociology and Social Policy, University of Leeds'Jane has written this book with OTs in mind however the breadth of her approach to the whole subject can be appreciated by a very wide audience. The way she explores, explains and brings to life in accessible language so many aspects of music means that she has created an invaluable and inspirational resource. For those of us who love music and wish to learn more about its complexities, whatever our perspective, this book will open many doors.' - Lindsey Stewart, an aspiring singer'Jane's use of the social model of disability as a means of realising a disabled person's inclusion/participation in music really resonated with me. By the end of this book I wanted to arrange a couple of sessions with Jane myself so convincing was she that music and the environments in which it exists could be adapted in a way that would enable my access to it. As June says “everyone who dreams has music; this book has given me a roadmap to begin my own journey towards realising my own musical dream.' - Cathy McCormack, deaf occupational therapist, Fulbright Scholar in deaf studies and Gallaudet University graduate'The way this book is laid out is easy for the reader to understand and follow, allowing the educational and theoretical elements to blend in with the reality of using OT in practice, specifically in music. Throughout the book Jane keeps the language theoretical and factual while still understandable, fun and without waffle. The book also helps us, as students, to understand what is actually important to the individual and gives us stepping stones to start to understand that everything is individual; teaching us to not simply follow a model. I think that this is a captivating and spellbinding book, which contains necessary information and facts along with the added creativity and spark needed to inspire as well as teach.' - Evie Faulkner, student of Occupational Therapy
Google Preview content