In this third volume in The Actor of the Future series, Dawn Langman continues to explore the integration of Steiner's research into speech, drama and eurythmy with Michael Chekhov's acting methodology. Her advanced applications of all the basic processes allow the art of the actor and speaker to evolve beyond the 'soul and body' paradigm - still broadly accepted in contemporary culture - to include dimensions of the spirit. The book contains a seminal analysis of comedy and tragedy, showing how an understanding of their esoteric roots - sprung from the Eleusis mysteries of ancient Greece - deepen our appreciation and our ability to implement the practical suggestions made by Steiner and Chekhov to differentiate the fundamental styles. A comprehensive exploration of the vowels in relation to planetary beings lays the foundation for many layers of artistic deepening and application.
DAWN LANGMAN undertook a mainstream speech and acting training in Australia, followed by seven years of performing and teaching at secondary and tertiary levels. Her quest for an integrated approach that includes the spiritual dimension led her to train with Maisie Jones at the London School of Speech Formation in the method developed by Rudolf and Marie Steiner. She then taught for ten years at Emerson College in Sussex. Following this, Dawn trained in Michael Chekhov's acting technique with Ted Pugh and Fern Sloan of the Actors Ensemble in New York. Returning to Australia, she founded the School of the Living Word, where for eight years she continued to research the integration of Speech Formation with Chekhov's technique. She currently teaches this methodology at the Drama Centre, Flinders University, South Australia. Dawn is the author of The Art of Acting, The Art of Speech (both 2014), Tongues of Flame, The Actor of the Future Vol. 1 and Word Made Flesh, The Actor of the Future Vol. 2 (both 2019).
Acknowledgements - Introduction - Chapter 1 Advanced layering of Steiner/Chekhov processes - Chapter 2 Advanced applications of the three centres and their speech placements - Chapter 3 Style and genre - Chapter 4 Other states of being - Chapter 5 The planetary spheres: Dante's Paradiso-Our High Work - Chapter 6 The stages of life - Chapter 7 Archetypes of the artistic process-the creative tension between opposites - Chapter 8 New planets, new sensibilities and the actor of the future - Appendices A. A phenomenological approach. - B. Table of Phonetic Symbols - C. Extra texts for chapter 6 - D. Additional volumes in this series - E. DVD series-A Dramatic Journey through the Evolution of Human Consciousness - F. Website details and information about courses and trainings - Bibliography - List of Illustrations - Notes
