The Ottoman Touch is an introduction to the classical arts and crafts of the Ottoman period. Being both an academic and artist, Kusoglu discovers the subtle secrets of various traditional arts and crafts, depicting them with lucid texts and vivid images. This book deserves to be a handbook for all who are interested in the Ottoman and Turkish history and art. Calligraphy, marbling, silver embossing, decorative beading, incrustation and many more are waiting to be discovered by avid readers.
Mehmet Zeki Kusoglu graduated from the State College of Applied Fine Arts in Turkey, and in 1964, he received a state grant, with which he went to Germany for postgraduate studies. He became interested in Turkish, Islamic, and Eastern art while conducting research in the museums and libraries in Germany and other European countries. He held exhibitions, published articles and books, gave seminars, and made more than 100 presentations at national and international conferences.
Foreword Savat (Niello) Kalem Work (Engraving) Silver Embossing Telkari (Filigree) Tombak Turkish Style Incrustation Guherse (Decorative Beading) The Seal in the Art of Engraving Ottoman Cup Holders Tepelik (Headdress Ornament) From Talisman to Ornament Censers Ottoman Belts and Buckles Ornamented Back of Mirrors Bazubend: The Pride of the Brave Silver Mushaf Cases Ibriks (Ewers) Rings Turkish Spoons and Spoon-makers Old Turkish Door Knockers Turkish Bracelets Karagoz: Turkish Shadow Play Tophane Pipe Turkish Tombstones and the Huwa'l-Baqi" (He Is The Everlasting One) Inscription Ottoman Visiting Cards Mother-of-Pearl Inlay Prayer Beads The Signatures of Calligraphers
Beautifully and richly illustrated, this introduction and handbook to the decorative art and crafts of the Ottoman civilization is based upon the many articles by Kusoglu, who is an artist, educator, and researcher in his own right. The 28 topics or chapters range from a description of artistic techniques, such as niello, engraving, embossing, filigree, and beading, to personal and everyday objects that utilize these methods, including door knockers, belts and rings, various talismans and body ornaments, prayer beads, and even Ottoman visiting cards. The colorful and intriguing illustrations provide outstanding examples of the various techniques and objects discussed. This work, which includes items and terminology that might be unfamiliar to Western artists, will make readers feel as though they have just gone through an exhibition of these magnificent artifacts. VERDICT Enthusiasts of Eastern civilizations should not hesitate to purchase. This excellent book should also be found in both academic and public library collections for its educational value in learning more about Eastern traditional arts. Stephen Allan Patrick, Jonesborough, TN
