This text explores the ways Jews have defined other groups and themselves. Topics include: the construction of gender; the gentile as Other; the Palestinian as Other; blacks as Other in American Jewish literature; the Jewish body image as symbol of Otherness; and women as Other in Israeli cinema.
This text explores the ways Jews have defined other groups and themselves. Topics include: the construction of gender; the gentile as Other; the Palestinian as Other; blacks as Other in American Jewish literature; the Jewish body image as symbol of Otherness; and women as Other in Israeli cinema.
Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. This book is divided into seven chapters, which reflect seven natural divisions in Parnok's life.
Anton Chekhov's barbed comment suggests the climate in which Sophia Parnok was writing, and is an added testament to the strength and confidence with which she pursued both her personal and artistic life. Parnok was not a political activist, and she had no engagement with the feminism vogueish in young Russian intellectual circles.
In 1973, three women and two men were held hostage in a bank in Stockholm by two ex-convicts. This book describes how the hostages and their captors formed a bond (now known as the Stockholm Syndrome); and how survival mechanisms for the women could be seen to mirror those employed in daily life.
Argues that men must interrogate their own sexuality in dialogue with women in order to revise phallocentric discourse. Drawing on a range of genres, cultures and theoretical perspectives, this examination questions the assumptions behind the representations of manhood in modern literature.
This textual study attempts to subject the works of the Anglo-Irish writer, Elizabeth Bowen, to a poststructuralist re-reading from a lesbian feminist perspective. Hoogland's current research is preoccupied with configurations of lesbian sexuality in novels of female development in the 50s.
This textual study attempts to subject the works of the Anglo-Irish writer, Elizabeth Bowen, to a poststructuralist re-reading from a lesbian feminist perspective. Hoogland's current research is preoccupied with configurations of lesbian sexuality in novels of female development in the 50s.
Argues that men must interrogate their own sexuality in dialogue with women in order to revise phallocentric discourse. Drawing on a range of genres, cultures and theoretical perspectives, this examination questions the assumptions behind the representations of manhood in modern literature.
