The History of an Institution and Its Global Competitors
This book is an introduction to the history of art as an institution, from its development in Central Europe to its global expansion through colonialism and diaspora. It considers how the class, gender, and race of artists function to challenge highbrow notions of art and develops the concept of nobrow as a way to democratize art in the future.
Bonaventure's Aesthetics: The Delight of the Soul in Its Ascent into God provides an extensive analysis of Bonaventure's concept of beauty, the first to appear since Balthasar's Herrlichkeit, and the role it plays in the Itinerarium mentis in Deum.
Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art.
In Judgments of Beauty in Theory Evaluation, the author argues that judgments of beauty are a justified part of theory evaluation. This argument bears on the debate over judgments of beauty in scientific theory evaluation and also prompts an examination of judgments of beauty in philosophical theory evaluation.
Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art. This ......
Its Trail from Baumgarten and Kant to Walt Disney and Hitler
The concept of secular millennialism summarizes a crucial point made by Hannah Arendt in The Origins of Totalitarianism: that twentieth-century totalitarian movements, in Nazi Germany and in the Soviet Union under Stalin, are not nationalistic but essentially millennialist, focused on the achievement of a universal world order. The question of ......
Offers a look at the history, ethics, and aesthetics of art from the perspective of the specific philosophical concepts of transcendence, metaphysics, subjectivity, and conditionality. This volume questions many philosophical concepts used to justify art, and views their meaning within the perspective of philosophical development.
Includes fourteen selections from respected authorities on literature, dance, the visual arts, theatre, music, cinema, and architecture. This book captures the diversity of our changing views of art while at the same time discloses its variegated influence on the contemporary art scene.