In 1944 a battle in the art world was knocking World War II off front pages. Angry and disappointed contestant, Mary Edwards, launched a Supreme Court attack on famous innovator, William Dobell, and the judges who gave him the Archibald Prize—world’s richest portrait prize.
The subject, practice, and vital importance of art was a thread that ran through Rudolf Steiner’s life, from his early work as a scholar of Goethe, through his time as an editor of a literary and arts journal in Berlin in the 1890s, and to his two and half decades as a spiritual researcher and teacher.
Drawing with Hand, Head, and Heart is a comprehensive and practical guide to the art of drawing and to the process of visual thinking that is part of our full human intelligence. More than 500 illustrated exercises and examples - collected and developed over many years of Waldorf classroom experience - show teachers, parents, and students how to ......
Margaret Preston's 92 Aphorisms have only appeared in a rare limited edition Recent Paintings 1929. This compilation offers the original design, the aphorisms and ten Preston woodcuts.
"As an art student in the late sixties, I recall how painfully dry and intellectual my art history classes were. I thought to myself, or rather felt to myself, There must be something more" (Van James).
Sassan Behnam-Bakhtiar focuses on the importance of being connected with the eternal self, particularly in our modern world where, he believes, people lose themselves more and more every day. The artist trusts that by being one with the eternal self, any individual can start to experience an evolved state of existence and become truly whole. One ......
A Collection of Thoughts on Art, Artists and Creativity
A volume containing thoughts from writers, artists, musicians, dancers and philosophers on the great themes of inspiration, creativity and the role of the artist. From George Sand to Georgia O'Keeffe, these writings present a testimony to the power of the creative instinct through the centuries.
Sculptural Encounter in the Age of Aesthetic Theory
Explores tensions in aesthetics and art theory between antique figural sculpture experienced in the round and its translation into two-dimensional representations. Examines the work and thought of Goethe, Winckelmann, Hegel, Walter Pater, Vernon Lee, and others.
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through ......
Leonardo da Vinci (1452-1519) accomplished many astounding works of art such as "Mona Lisa" and "The Last Supper". Featuring anatomical drawings, geometrical illustrations, as well as life of Leonardo, this book aims to serve as a primer for students interested in learning the craft of drawing and painting.
Making a radical departure from the conventional wisdom on art and beauty, this book presents the thesis that things of beauty are not only unrelated to art but often responsible for pornography.
In the 1890s, French poet and playwright Alfred Jarry founded pataphysics, the absurdist "science of imaginary solutions," a concept that has been nominally recognized as the precursor to Dadaism, Surrealism, and the Theater of the Absurd, among other movements. Over a century after Jarry "made the gesture of dying," Katie L. Price and Michael R. ......
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art ......
The works covered in college art history classes frequently depict violence against women. Traditional survey textbooks highlight the impressive formal qualities of artworks depicting rape, murder, and other violence but often fail to address the violent content and context. Gender Violence, Art, and the Viewer investigates the role that the art ......
Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field's political and intellectual genealogies, hierarchies, and forms of exclusion. In this volume, scholars ......
A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.
The secret of all those timeless places where one feels "at home"
At a time of existential threat to the physical and human environment we live in, architect and film maker Nili Portugali takes the readers through a poetic text and spectacular photo gallery, extracted from her awarded new film, into a deeply intimate journey of memories in the Galilean "Kabbala" holy city of Tsefat.
A collection of critical and creative essays exploring pataphysics, a late nineteenth-century French absurdist precursor to Dadaism, surrealism, and the Theater of the Absurd. Reveals how pataphysics has been a platform and medium for persistent intellectual, poetic, conceptual, and artistic experimentation for over a century.
The Imperialism of the Copy in Iranian and Parsi Architecture
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western-and especially Gothic-architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian ......
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the ......
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through ......
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the ......
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the ......
"Literature matters," says Paul B. Armstrong, "for what it reveals about human experience, and the very different perspective of neuroscience on how the brain works is part of that story." In How Literature Plays with the Brain, Armstrong examines the parallels between certain features of literary experience and functions of the brain. His central ......
Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another's work. The outcome of each of these convergences is an extensive and "unpredictable conversation" on knotty and provocative issues about art. This ......
Presents a theory that explains the nature of all kinds of artworks in a unified way - whether paintings, novels, or musical and theatrical performances. This book states that all representational artworks involve a stage in which a concrete artefact represents an artwork, and another, in which that artwork in turn represents its subject matter.
Painter and art educator Eric Atkinson taught on the Basic Course at Leeds College of Art in the 1950s and 60s. David Lewis was one of his students. This volume contains a spirited exchange of letters between them, and an insight into the creative processes at the heart of art education.
An exploration of the relationships between modernist artists and writers, and their responses to the immediate challenges of their time, to the implications of Freudian psychology, to molecular theory, to relativist theory, and to the general weakening of religious faith.
The past decade has seen American culture divided by debates over social identity, public morality, communal values and freedom of expression. A key focus of these discussions has been the role of visual arts in public life. Here five critics and two artists show the ways that this debate has reshaped our view of American culture.
Art, always a daughter of the Divine, has become estranged from her parent...We should not mock scientific materialism and naturalistic art. These have their place in human culture. But the starting point for a new life of art can come only through direct stimulation from the spiritual realm. We must become artists, not by developing symbolism or ......
Lorenzetti's frescoes in Siena serve as the starting point of Ian Heywood's critical work, as well as the initial occurrence of the recurring city motif which he utilizes to reveal the connections between theory, discourse, language, and modernity. The city, as Heywood shows, is a symbol of collective life and the social bond and is directly ......
Shows how, once an art work is seen and understood, communicative function is effectively added to the work. This book also shows a range of language in art - from the magical to impious, from the ambiguous to the didactic, from the scientific to the propagandistic. It includes over one hundred illustrations as an integral part of the discussion.
