BarCharts' comprehensive tour of art and artists continues with our 3-panel guide, which covers the Renaissance period through World War II. Specific artistsasuch as Leonardo da Vinci, Claude Monet and Salvador Daliaand their works are detailed, as well as the types of art they represent. This guide is sure to be a welcome addition to any art ......
Christian Art, Identity, and Community in Late Antique Italy
Building the Body of Christ argues that monumental Christian art and architecture played a crucial role in the formation of new religious identities in late antique Italy. Bishops and their supporters employed the visual arts to articulate and encourage specific beliefs, practices, and values that shaped the emerging institutional church.
Memorialized in art, sculpture, epigraphy, and of course texts, the theme of death and rebirth became a central focus of the Christian religion as it developed in late antiquity. This book provides a deep examination of the theme of death and rebirth from various points of view to see how deeply ensconced it was in religious piety.
Death and rebirth was of vital importance to early Christians in late antiquity. In late antiquity, death was all encompassing. Mortality rates were high, plague and disease in urban areas struck at will, and one lived on the knife's edge regarding one's health. Religion filled a crucial role in this environment, offering an option for those who ......
A collection of essays by art historians on works of art, artifacts, and monuments that are no longer extant, have disappeared, or perhaps never existed outside of language. Addresses destruction, loss, obscurity, and existential uncertainty within the history of art and the study of historical material and visual cultures.
A Laboratory of Images in the Eighth and Ninth Centuries
This study focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries. The author analyzes the experimentation and innovation of Christian iconographies and the artistic vibrancy of early medieval Rome before it became divided between East and West.
Over the centuries, European debate about nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. This book focuses on these historical arguments, from the period of Late Antiquity up to the classic defenses of images by St John of Damascus and Theodore of Studion.
Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. This book concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St John of Damascus and more.
This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world. Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the ......
