In this book, James H. Rubin explores these conditions and shows how Monets work-said to be a harbinger of abstraction-appeals not only to the eye but also to something deep in modern consciousness. The myth of Impressionism is that it was reviled and misunderstood, but by the 1890s Monet was rich by anyones standards.
Considers the relation of anarchist ideology to avant-garde sculpture through an examination of iconic artists and writers whose work transformed European modernism: Jacob Epstein, Oscar Wilde, Umberto Boccioni, F. T. Marinetti, Henri Gaudier-Brzeska, and Ezra Pound.
Sculptors Against the State considers the relation of anarchist ideology to avant-garde sculpture through an examination of three iconic artists whose work transformed European modernism: Umberto Boccioni, Jacob Epstein, and Henri Gaudier-Brzeska. Addressing such complex subjects as sexual liberation, homosexuality, the history of emotions, the ......
Explores the iconography and symbolism of scent in nineteenth-century art and visual culture, with a particular focus on Pre-Raphaelite art and Aestheticism.
Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to "see smell" and inspiring some artists to picture scent in order to better ......
Traces the history of American genre painting from 1905 to 1945. Examines how artists such as John Sloan, Norman Rockwell, and Jacob Lawrence adapted to an era of rapid urbanization, mass media, and modernist art.
The Scientific Artworks of Dr. Jean-Martin Charcot and the Salpetriere S
In this book, Natasha Ruiz-Gomez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris's Hopital de la Salpetriere in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825-1893) and known collectively as the Salpetriere School, these savants-artistes produced ......
In the 1890s, French poet and playwright Alfred Jarry founded pataphysics, the absurdist "science of imaginary solutions," a concept that has been nominally recognized as the precursor to Dadaism, Surrealism, and the Theater of the Absurd, among other movements. Over a century after Jarry "made the gesture of dying," Katie L. Price and Michael R. ......