Respected and internationally collected artist. Introductions by Edward Lucie Smith, leading art historian and author, and Peter Frank reowned art critic and writer.
Contemporary Chinese art has played a significant role in contributing to art globalisation; meanwhile, the trajectory of modernisation of art in China has not been rendered explicitly.
This publication offers a rich and expansive visual record of Julie Brook's artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook's practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the ......
Sarah Raphael (1960-2001) showed precocious talent for drawing and painting from an early age. Her sudden death when, in her rapid and exciting development as an artist, she had already accomplished much, but of whom so much more became expected, was a tragedy not only for her family, but for the art world at large.
The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique ......
AI and the Art Market is the first book to offer an approachable introduction to AI for art-market professionals, considering AI's impact on and possible applications within the art world, whether as a business tool or as an artistic medium. The two primary topics of how AI is affecting the art market and the market for AI art are united under the ......
Nigel Hall: Sculpture & Drawings is an ambitious monograph which looks at his work in relation to sculptural developments in Britain, Europe and North America. It presents the two main strands of Hall's practice - sculpture and drawing - as distinct but also interrelated. Line and space are central to Hall's work, with the artist creating highly ......
In May 1949, the Scottish artist Wilhelmina Barns-Graham (1912-2004) visited the Grindelwald Glacier in Switzerland. It was a trip which would have a profound and lasting impact on her work. Charting the journey, the beautiful work it stimulated and wider questions around glacial landscapes, then and now, this publication provides insights that ......
