Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public.
Eschewing the great composer style of music ......
So You Want to Sing Light Opera is a concise handbook for singers, teachers, and performers who want to learn more about the magnificent genre of light opera. This resource provides information on the history of light opera and offers advice on auditions, style, performances, and skills, including dissections of select operas and their characters.
George Szell was the Cleveland Orchestra's towering presence for over a quarter of a century. From the boardroom to the stage, Szell's powerful personality affected every aspect of a musical institution he reshaped in his own perfectionist image.
Marcia Hansen Kraus's participation in Cleveland's classical musical scene allowed her ......
Reverence for J. S. Bach's music and its towering presence in our cultural memory have long affected how people hear his works. In his own time, however, Bach stood as just another figure among a number of composers, many of them more popular with the music-loving public. Eschewing the great composer style of music history, Andrew Talle takes ......
Great music arouses wonder: how did the composer create such an original work of art? What was the artist's inspiration, and how did that idea become a reality? Cultural products inevitably arise from a context, a submerged landscape that is often not easily accessible. To bring such things to light, studies of the creative process find their ......
Alto: The Voice of Bel Canto examines the careers of the great alto singers, including the great castrati, from the dawn of opera in 1597 to the present day. He surveys the music of the composers who wrote for the alto voice and includes musical examples and exercises adapted from 24 Easy Vocalises in Progressive Order for Medium Voice.
Veteran opera director William Ferrara walks the reader through the staging of twenty-five scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies and guides us through the dark world of Lucia di Lammmermoor. He discusses the hard moral choices in Verdi's tragedies and invigorates the grisly melodramas.
Veteran opera director William Ferrara walks the reader through the staging of twenty-five scenes from two of opera's most beloved composers. He brings to life Donizetti's delightful comedies and guides us through the dark world of Lucia di Lammmermoor. He discusses the hard moral choices in Verdi's tragedies and invigorates the grisly melodramas.
