Queer Opera explores narratives and music of selected operas to argue that composers have turned to opera to underscore lived queer experiences and that they have served as agents for change.
Paul Thom argues that opera is a set of practices framed by the concepts of work, interpretation, performance, and art. His argument is that operatic works have the potential to be art, but so do operatic productions, independently of their value as interpretations of the works they stage.
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of human life. Thom contends that in great operatic art, the narrative and expressive content collaborate with the work's aesthetic qualities towards achieving this aim. This ......
Music Glocalization and the Composer: The Case of Franz Xaver Scharwenka (1850-1924) examines the life and compositions of composer Franz Xaver Scharwenka. Mikolaj Rykowski argues that Scharwenka held the ability to function on a global scale relatively early in music history, founding conservatories in Berlin and New York, becoming one of the ......
A riveting story of fatal attraction between a beguiling, strong-willed gypsy and a naive but passionate soldier who falls under her spell, Georges Bizet's Carmen pulses with seduction, obsession, and deadly betrayal.
With her superb coloratura soprano, passion for the world of opera, and down-to-earth personality, Beverly Sills made high art accessible to millions from the time of her meteoric rise to stardom in 1966 until her death in 2007. An unlikely pop culture phenomenon, Sills was equally at ease on talk shows, on the stage, and in the role of arts ......
A powerful memoir from one of the world's most successful orchestral conductors, whose life story, talent and dedication to music is an inspiration to read. The book documents an insider's view of the complex relationships between an opera house, its orchestra, the conductor and singers.
This book offers singers the tools to navigate English and German diction, including drills, word lists, examples, and tongue twisters. The third edition extends discussions of diction choices for musical theatre and cognate consonant substitutions for operatic works, and it provides more exercises, as well as a short history of German.
