Listening to the Music the Machines Make is the revolutionary story of electronic pop from 1978 to 1983, a true golden age of British music. This definitive account explores how krautrock, disco, glam rock and punk inspired a new generation to rip up the rulebook and venture toward a new frontier of electronic music – one that laid the ......
Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit between musicology and software studies, ......
Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commerci
Using a concept she calls authenticity maneuvering to explain how clubs, clubbers, and DJs navigate authenticity, branding, and commercialism, Danielle Hidalgo argues that the strategic use of a rave ethos bolsters acceptance in dance music spaces while also making commercial practices less visible or problematic.
A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New
This book follows DJ Disciple and his behind-the-scenes story of how DJs, promoters, fans, and others transformed house music from a DIY project into an international sensation. Interweaving interviews, the book dives into glitzy clubs, underground parties, and diverse communities who made up the scene amidst the tumult of 1980s/90s-era NYC.
This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it.
Code Musicology opens a conduit between musicology and software studies. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms and directs attention to IT industries and software-centered transnational commerce as a result of sectorial transformation.
Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commerci
Using a concept she calls authenticity maneuvering to explain how clubs, clubbers, and DJs navigate authenticity, branding, and commercialism, Danielle Hidalgo argues that the strategic use of a rave ethos bolsters acceptance in dance music spaces while also making commercial practices less visible or problematic.
David Buckley examines the cult enigma that is Kraftwerk. Updated to include details of the group's recent concerts under the direction of Ralf Hutter.
